WORKS
2021
Greener Grass 2021, 34 min.
for Modular and Analog synthesizers
Collaboration with choreographer Connie Shiau for Hubbard Street Dance Chicago
Commissioned by Hubbard Street Dance Chicago
2019
The Loss of Place 2019, 24 min.
for String Quartet and Drum Machine
Collaboration with choreographer Brian Brooks for Hubbard Street Dance Chicago
Commissioned by Brian Brooks
2018
I.N.D.Y. 2018, 25 min.
for Electronics and Voice
Collaboration with choreographer Kyle Abraham
Commissioned by A.I.M.
Prelude 2018, 45 min.
for Piano and Electronics
Collaboration with choreographer Brian Brooks
Commissioned by Brian Brooks Moving Company
2017
DEAREST HOME 2017, 70 min.
Recorded score for String Quartet, Vocalists and Electronics
Collaboration with choreographer Kyle Abraham
Commissioned by Abraham In Motion
America 2017, 10 min.
for 2 Countertenors, Mixed Voices, Alto Saxophone, 2 Pianos, Synthesizer, Guitar, Bass and Drums
Collaboration with Director Tony Yazbeck
Commissioned by National Young Arts Foundation for the 2017 Salute to the U.S. Presidential Scholars
2016
ROOT 2016, 60 min
for Violin, Moog, and Live Electronics
Collaboration with choreographer Jin Ju Song-Begin
Commissioned by Da-On Dance
FAST LOVE 2016, 35 min.
for Electric Guitar Quartet
Collaboration with choreographer Loni Landon
Commissioned by Loni Landon
WILDERNESS 2016, 60 min.
for Percussion Quartet and Live Electronic Processing
Collaboration with choreographer Brian Brooks
Commissioned by Brian Brooks Moving Company
String 4tet 2016, 8 min
for String Quartet
Collaboration with choreographer Robert Kelley
Commissioned by Santa Cruz Ballet Theatre
Celebrate 2016, 5 min.
for Mixed Voices, Cello, Piano, and Drum Set
Collaboration with director Tony Yazbeck
Commissioned by National Young Arts Foundation
2015
Strange Garden 2015, 15 min.
for 2 Pianos, 2 Bass Clarinets, 2 Percussion, and Vocoder
Collaboration with choreographer Helen Simoneau
Commissioned by The Juilliard School and Helen Simoneau
Raw Yin Beta 2015, 13 min.
for Violin Duo with Live Electronic Processing
Collaboration with choreographer Loni Landon
Commissioned by Keigwin + Company
NEVEREND 2015, 60 min.
for Voice, Synthesizer, and Live Electronic Processing
Collaboration with choreographer Jin Ju Song-Begin
Commissioned by Da-On Dance
2014
DIVISION 2014, 14 min.
Recorded score for pieces of wood with electronic processing
Collaboration with choreographer Brian Brooks
Commissioned by Brian Brooks Moving Company
and then there was one 2014, 16 min.
for String Quartet with Live Electronic Processing
Collaboration with choreographer Loni Landon
Commissioned by The Juilliard School and Loni Landon
Here Litany 2014, 10 min.
for Mixed Voices, Flute, Trombone, Harp, Piano, Keyboard, Bass, Drum Set
Collaboration with Director Bill T. Jones
Commissioned by National Young Arts Foundation for the 2014 Salute to the U.S. Presidential Scholars
Neon in Daylight 2014, 7 min.
for Mixed Voices, Violin, Cello, Piano, Bass, and Drum Set
Collaboration with director Bill T. Jones
Commissioned by National Young Arts Foundation
2013
Flex is Kings 2013, Feature Length Film Score
Documentary about Brooklyn Flex Street Dancers
co-composed with Christopher Lancaster as Tranimal
KWAIDAN 2013, 35 min.
Multimedia Chamber Opera for Mezzo Soprano, Baritone, Violin, Cello, and Live Electronics
Collaboration with Choreographer/Director Yara Travieso
THIRST 2013, 60 min.
for Cello with Live Electronic Processing
Collaboration with choreographer Jin Ju Song-Begin
Commissioned by Da-On Dance
2012
Continuous Replay 2012, 20 min.
for String Octet and Audio Collage
Collaboration with choreographer Bill T. Jones
Commissioned by the Bill T. Jones/Arnie Zane Company
Sit, Kneel, Stand 2012, 60 min.
Recorded Score. composed in collaboration with Christopher Lancaster
Collaboration with choreographer Andrea Miller
Commissioned by Gallim Dance
14R 2012, 3.5 min.
Video score
Collaboration with Director Yara Travieso
2011
Exit 2011, 60 min.
for Synthesizer, Electronics, and Cello, composed in collaboration with Chris Lancaster
Collaboration with choreographer Larry Keigwin
Commissioned by Keigwin and Company
Holhwang 2011, 15 min.
for Piano
Collaboration with choreographer Jin Ju Song-Begin
SET 2011, 30 min.
for String Septet with Live Electronic Processing
Collaboration with choreographer Yara Travieso
The Mind-Stuff Variations 2011, 35 min.
for Piano Trio with Live Electronic Processing
Collaboration with choreographer Janis Brenner
Commissioned by Janis Brenner & Dancers
The Eight Propositions 2011, 11 min.
Recorded Score
Collaboration with choreographers Emio Greco and Pieter C. Scholten
Commissioned by Belinda McGuire
Orange Garden 2011, 15 min.
for Keyboard, Lap Steel, and Bass
Collaboration with choreographer Jin Ju Song-Begin
V1-V3 2011
Video/Sound Installation
Collaboration with Yara Travieso and Mira Lehr
2010
Left Exit 2010, 11 min.
for Cello, Piano, and Percussion
Collaboration with choreographer Sean Curran
Commissioned by Sean Curran Company
Chords 2010, 10 min.
for Cello, Piano, and Percussion
The Path Which Empties Me (108) 2010, 20 min.
for Amplified and Processed Gongs and Singing Bowls
Collaboration with choreographer Jin Ju Song-Begin
2009
Fondly Do We Hope, Fervently Do We Pray 2009, 65 min.
for Soprano, Tenor, Violin, Cello, Irish Bouzouki, Guitar, Elec. Bass, Piano, Organ and Percussion; co-composed with Christopher Lancaster
Collaboration with choreographer Bill T. Jones
Commissioned by the Bill T. Jones/Arnie Zane Company
Under 2009, 8.5 min.
for Violin and Live Electronic Processing
Collaboration with choreographer Jin Ju Song-Begin
2008
100 Migrations 2008, 60 min.
for Soprano, Cello, Electronics and Community Musicians; co-composed with Christopher Lancaster
Collaboration with choreographer Bill T. Jones
Commissioned by the Bill T. Jones/Arnie Zane Company
Serenade: The Proposition 2008, 60 min.
for Soprano, Cello, Piano, and Synthesizer; co-composed with Christopher Lancaster
Collaboration with choreographer Bill T. Jones
Commissioned by the Bill T. Jones/Arnie Zane Company
Found in April 2008, 30 min.
for Keyboard and Live Electronics
Collaboration with choreographer Jin Ju Song-Begin
2007
Control 2007, 15 min.
for Piano and Live Electronics
Collaboration with choreographer Jin Ju Song-Begin
Lines 2007, 15 min.
for Cello, Piano, and Percussion
Duet 2007, 10 min.
for Cello and Piano
Excerpt 2007, 7 min.
for Piano
Resolute 2007, 27 min.
for Violin, Cello, Alto Saxophone, Piano and Percussion
Collaboration with choreographer Alan Hineline
Commissioned by Utah Regional Ballet
2006
Confines 2006, 18 min.
for Orchestra
Collaboration with choreographer Alan Hineline
Commissioned by The Juilliard School
Keep in Touch 2006, 18 min.
for Synthesizer
Collaboration with choreographer Jin Ju Song
Commissioned by Tokyo Bienale
2005
Quartet II 2005, 11.5 min.
for String Quartet
Collaboration with choreographer Alan Hineline
Commissioned by Ballet New York
Thresholds 2005, 21 min.
for Cello, Piano, and Percussion
Collaboration with choreographer Alan Hineline
Commissioned by Ballet Academy East
2004
Twist 2004, 23 min.
for Piano and String Quartet
Collaboration with choreographer Alan Hineline
Commissioned by Alabama Ballet
Between the Lines 2004, 19 min.
for Saxophone Quartet
Collaboration with choreographer Alan Hineline
Commissioned by The Richmond Ballet
2003
Sonata for Alto Saxophone 2003, 23 min.
Commissioned by Keith Bohm
Fold 2003, 9 min.
for Bass Recorder, Cello, and Piano
Collaboration with choreographer Gerri Houlihan
Commissioned by University of Richmond
2002
The Tempest 2002, 40 min.
for Mezzo Soprano, Alto Sax, Violin, Viola, Cello, Prepared Piano, Synthesizer and Percussion
Collaboration with choreographer Ron Cunningham
Commissioned by Sacramento Ballet
2001
JFOAA 2002, 15 min.
for Piano, Percussion, Bass, Voice, and Electronics
Collaboration with choreographer Alan Hineline
Commissioned by Regional Dance America Pacific
Without Walls 2001, 15 min.
for Piano and Percussion
Collaboration with choreographer Ron de Jesus
Commissioned by Hubbard Street Dance Chicago
Rough Draft 2001, 10 min.
for Electronics
Collaboration with choreographer Ron Cunningham
Commissioned by Sacramento Ballet
Torrential Verse 2001, 15 min.
for Electronics
Collaboration with choreographer Emily Stein
Commissioned by Zephyr Dance
Bustin’ Out 2001
Recorded Score, music for the play
Collaboration with Playwright Karen Begin
Commissioned by The Baum Haus
2000
Static Interruptions 2000, 12 min.
for Violin, Alto Saxophone, Piano, Synthesizer and Percussion
Collaboration with choreographer Alan Hineline
Commissioned by Alabama Dance Theatre
Variable X 2000, 8 min.
for Found Objects
Collaboration with choreographer Robert Kelley
Commissioned by Santa Cruz Ballet Theatre
Trash 2000, 8 min.
for Found Objects, a cross disciplinary work involving dancers as musicians
Collaboration with choreographer Robert Kelley
Commissioned by The Studio, School of Classical Ballet, Santa Cruz, CA
1999
Pivot 1999, 8 min.
for Harp and Electronics
Collaboration with choreographer Robert Kelley
Commissioned by Santa Cruz Ballet Theatre
Wozzeck 1999, 60 min.
Recorded Score, music for the play
Collaboration with director Victoria Pero
Commissioned by Monsterless Actors, NYC
Bestiary 1999, 6.5 min.
for Percussion
Collaboration with choreographer Leslie Swaha
Commissioned by Crash Burn and Die Dance Company
1998
Untitled 1998, 11 min.
for Prepared Piano
Collaboration with choreographer Robert Kelley
Commissioned by Utah Regional Ballet
Singular Triplicity 1998, 7 min.
for Piano and Electronics
Collaboration with choreographer Robert Kelley
Commissioned by Santa Cruz Ballet Theatre
1997
Fragments 1997, 5 min.
for Piano and Electronics
Collaboration with choreographer Robert Kelley
Commissioned by Ballet Theatre San Jose
Untitled 1997, 5 min.
for Piano
Collaboration with choreographer Robert Kelley
Commissioned by Ruth Rosenberg Dance Ensemble
1994
Hamlet 1994, 60 min.
Recorded Score, original music for the play
Collaboration with director Henson Keys
Commissioned by Ohio University
1993
The Mandragola 1993, 60 min.
for Sampler and Synthesizer, original music for the play
Collaboration with director Victoria Pero
Commissioned by Ohio University