Called a “fabulous composer-pianist” and an “unimpeachable” choice of collaborator whose presence “ups the ante” by the New York Times, Jerome Begin has composed many scores for dance and theatre, concert works, installation and film. Equally at home in the classical, experimental, theatrical and pop worlds, he has always been drawn to collaboration. Begin takes from classical music concepts of form, process and compositional rigor. From experimental electronic and acoustic music he draws on ideas of sonic expansion and innovation in the ways musicians connect in time and sonic texture. In pop music, he is strongly attracted to the power of rhythm and sound over the body, as well as the ability of the “hook” to resonate within the consciousness of individuals and masses. His recent works have incorporated extensive use of electronics to process and augment the sound of acoustic instruments, employing customizable touch screen interfaces which allow him to “play” the effects live. Through this technology, the electronics function in a dynamic, musical way as part of the ensemble.
Begin’s works have been performed throughout the USA, Europe and Asia, including a nationally televised performance of his score for Bill T. Jones/Arnie Zane Dance company for President Obama at the 2010 Kennedy Center Honors. Modern dance commissions include works for Bill T. Jones/Arnie Zane Dance Company, Hubbard Street Dance Chicago, The Juilliard School, Brian Brooks Moving Company, Keigwin + Company, Gallim Dance, Sean Curran Company, Sacramento Ballet, Richmond Ballet, Alabama Ballet, and many others. In 2011 his music was featured on the PBS American Masters series in the documentary A Good Man, about the making of a Bill T. Jones work. Jerome currently serves as Music Advisor for The Juilliard School Dance Division.