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Called a “fabulous composer-pianist” and an “unimpeachable” choice of collaborator by the New York Times, Jerome Begin has composed many scores for dance and theatre, concert works, installation and film. Equally at home in the classical, experimental, theatrical and pop worlds, he has always been drawn to collaboration. Begin takes from classical music concepts of form, process and compositional rigor. From experimental electronic and acoustic music he draws on ideas of sonic expansion and innovation in the ways musicians connect in time and sonic texture. In pop music, he is strongly attracted to the power of rhythm and sound over the body, as well as the ability of the “hook” to resonate within the consciousness of individuals and masses. His recent works have incorporated extensive use of electronics to process and augment the sound of acoustic instruments, employing customizable touch screen interfaces which allow him to “play” the effects live.